Congratulations to Paul Whitehouse, winner of the Writers' Guild Award at the British Comedy Awards last night http://t.co/8ixHlmWLpy
Jayne Kirkham, Chair of the Guild's Children's Committee, reports from the Labour Party Conference in Manchester
Yep, like the Lib-Dems in Brighton last week, the Labour Conference in Manchester was another gathering of the clan. But Labour’s conference is bigger and redder. You would hope so, wouldn’t you? Although actually, I thought the branding was rather blue – blue lighting, blue Union flags: a bit Stella McCartney really. And I was surprised to still be tripping over ice buckets in the Midland Hotel lobby; despite us being one nation under a groove, there’s still quite a lot of champagne socialism around.
Oh, you will have read the reports of the speeches and press releases and know that we’re half way between elections so there were no exciting policies or lines being drawn in the sand in the conference hall. I came in half way through one debate and didn’t realise the speakers were on the other side of the stage. I spent quite a long time watching five purple cushions on a sofa. With a head full of kids’ television, I thought soft furnishings that talk were normal. Although I did remark to my neighbour that their argument was somewhat fabricated. He tutted and said something about cloth ears. Likewise the fringe was not what you’d call dynamic. Walking round the exhibition hall the most exciting and thought provoking thing was a display by some guide dogs. Although I did see Alistair Campbell on a kayak ergometer machine. That was more distracting than anything: I was having a useful conversation about select committee process at the time and there he was, paddling like Goldie Hasler himself on the Boating Alliance’s stand.
I am very pleased that I went, though. Labour aren’t just the lot that lost: they are Her Maj’s Loyal Opposition and while last week I pompously spouted that it was my job to hold the likes of David Laws to account, it isn’t. That job belongs to the likes of Stephen Twigg. So I had arranged meetings and picked out useful fringe events, on the look out for more political allies and friends for the Guild and the Children’s Media Foundation. I didn’t have to search too hard. At least not when I talked about the issues around children’s media and arts. With the Communications Green Paper having been kicked into touch, there was little obvious interest in wider issues such as intellectual property. But it’s a bit like picking raspberries: there will always be some more on the canes.
As I said last week, whether all this has been successful will become clear with time when (not if) policies and laws change. In the meantime, forgive me for not saying too much publicly. What I will tell you is that one senior politician still had the dry cleaning ticket pinned to his suit, Film Four will be screening a movie about the Rochdale Pioneers in early November and that one purple cushion whispered to its comrade, ‘How long do we have to stay before it’s not rude to leave?’
Jayne Kirkham reports from the Liberal Democrat Conference in Brighton
Brighton is supposed to be a sunny, rather hedonistic place isn’t it? Not sure that’s how I would describe the Lib-Dem conference there this week. The weather was cold, wet and blustery and, given the furore about Nick Clegg’s apology and their position in the polls, you might think that would describe the conference too. But, while politicians are always full of wind, everything was rather… fuggy: warm and soporific with any genuine angst or anger covered in a blanket of goodwill.
It is of course a gathering of the clan and, Lib-Dems are no different to the other parties in the midst of a storm: smiling while holding their skirts down firmly lest the wind woofs up and shows us their pants.
So do I have anything new to report? Anything that you couldn’t read in the main papers or hear on TV? Quite possibly I do. Because my agenda was not that of the main press nor of the Lib-Dems. I went as a writer. And a children’s writer at that – someone who believes children deserve the best we can give them. So I went looking to hear from ministers and spokespeople for Education, Culture, Media and Sport about their policies on art, media, children’s art and media, art in education, education, soft education, hard education (beginning to sound like toffees), the creative industries, intellectual property rights…
I didn’t hear very much. On some subjects I was the one doing the telling: about how the new English Baccalaureate will affect the teaching of and children’s access to theatre, music and art; how British children’s TV is the best in the world, yet crippled by an un-level international playing field; how so little public arts funding is spent on children.
What was very satisfying was that they were listening. Now, of course, the important bit is the follow up – will those meetings I had really result in questions at Prime Minister’s Question Time? Have I really found new advocates that will do rather than just say? Will we see changes to policy regarding arts in schools or the funding of children’s arts? In his speech, David Laws, the Minister of State for Schools (pictured above), said ‘A good education is the cornerstone of a liberal society. A good education for all is the cornerstone of the society our party wants to create. My job is to deliver just that.’
My job then is to not let him forget it.
Jayne Kirkham is Chair of the Writers’ Guild Children’s Committee
The new Writers' Guild Executive Council met for the first time on 12 September.
Pictured, from left to right: David Edgar (President), Anne Hogben (Deputy General Secretary), Gail Renard (Television Chair), Bernie Corbett (General Secretary), Olivia Hetreed (Film) Ming Ho (Deputy Chair), Roger Williams (Guild Chair), Katharine Way (Radio Chair), Jayne Kirkham (Children’s Chair), Andy Walsh (Treasurer), Manon Eames (Welsh Region), Julie Ann Thomason (Scottish Region)
Missing from the photo – but not forgotten: Antony Pickthall (Deputy Chair), Amanda Whittington (Theatre), Nick Yapp (Books), Marie MacNeill (Devon and Cornwall), Richard Pinner (Birmingham and West Midlands).
The shortlists for the 2012 Writers’ Guild Awards have now been decided. The winners will be announced on Wednesday November 14 at the Tabernacle in Notting Hill.
Best Continuing Drama Series
- Casualty: Saturday Night Fever - Sasha Hails
- Coronation Street: Becky’s Final Farewell - Debbie Oates
- Hollyoaks: A Little Film About Love by Jason Costello - Nick Leather
Best Play for Children and Young People
- Angel - Kevin Dyer
- Hare & Tortoise - Brendan Murray
- Holloway Jones - Evan Placey
Best Videogame Script
- Batman: Arkham City - Paul Crocker
- Risen 2: Dark Waters - Gordon Rennie, Alan Barnes, Emma Beeby
- Zombies, Run! - Naomi Alderman
Best First Feature Film
- Black Pond - Will Sharpe, Tom Kingsley
- Resistance - Owen Sheers, Amit Gupta
- Wild Bill - Danny King, Dexter Fletcher
Best Children’s TV Script
- 4 O'Clock Club: Maths - Dan Berlinka
- Horrible Histories - Dave Cohen, Ali Crockatt, Gerard Foster, Giles Pilbrow, Laurence Rickard, David Scott, George Sawyer, Ben Ward, Steve Punt
- The Sarah Jane Adventures: The Curse of Clyde Langer - Phil Ford
Best Radio Drama
- Life and Fate - Jonathan Myerson, Mike Walker
- Pandemic - John Dryden
- The Diary of Samuel Pepys - Hattie Naylor
- Even the Rain - Paul Laverty
- Tyrannosaur - Paddy Considine
- We Need to Talk About Kevin - Lynne Ramsay, Rory Stewart Kinnear
Best Fiction Book
- Alys, Always – Harriet Lane
- The Last Hundred Days - Patrick McGuinness
- Then - Julie Myerson
Best Short-Form TV Drama
- Appropriate Adult - Neil McKay
- Sherlock - Mark Gatiss, Steven Moffat, Stephen Thompson
- This is England '88 - Shane Meadows, Jack Thorne
Best Theatre Play
- Grief - Mike Leigh
- The Kitchen Sink - Tom Wells
- The Westbridge - Rachel De-lahay
Best Radio Comedy
- I, Regress - Matt Berry
- Another Case of Milton Jones - Milton Jones, James Cary
- In and Out of the Kitchen - Miles Jupp
Best TV Comedy
- Holy Flying Circus - Tony Roche
- PhoneShop - Phil Bowker
- Grandma's House - Simon Amstell, Dan Swimer
Best TV Drama Series
- Being Human - Toby Whithouse, Tom Grieves, John Jackson, Lisa McGee, Jamie Mathieson
- Scott & Bailey - Sally Wainwright, Nicole Taylor, Amelia Bullmore
- Prisoners Wives - Julie Gearey, James Graham and Chloe Moss
The Lost Arts campaign needs your help, writes Maddy Radcliff
Lost Arts is a three-year project set up by eight trades unions whose members will be directly affected by cuts to the arts. The aim is to catalogue and record everything in the arts sector lost as a result of the public-spending cuts.
Already in 2012 we have a sizable list of losses, growing every day as news comes in of another library, another community centre, another writers’ scheme lost to the cuts. A quick search of the Lost Arts list throws up more than 40 losses classified as literature and more than 130 in theatre. We don’t blame managers or the arts councils who make difficult decisions, even though we do not always agree with them. It’s not their fault funding is going down. We blame government, national and local. And our voice, the voice of all of us affected by arts cuts, should be heard. That voice is diverse, of all ages, backgrounds and sectors within the arts.
Some cuts are high profile, others less so. Take Flambard Press, for example. It’s a small publishing house that focuses on new and Northern writers. For many, working with Flambard was their first publishing experience. And this year, because of the spending cuts, Flambard was forced to close.
This summer we lost the Theatre Writing Partnership. Born of four theatres in the East Midlands, its small team of two committed to reading the first 15 pages of any unsolicited script – providing a rare service that gave writers with essential feedback early in their careers. Theatres are suffering too. The Duke’s Playhouse in Lancaster lost so much to the cuts that its funding levels now are the same as in 2001. Duke’s five productions a year will go down to three and any others are entirely dependent on project funding. Add job losses to that and you can see the real impact of the cuts on the arts.
These cuts might not always make the news, but Lost Arts is here to say they do matter, and to show why.
Already local campaigns are making their mark and having a real impact. Look at the success of Equity campaigners working with Duke’s Theatre. Together, they found room for an extra production. Public and Commercial Services Union (PCS) members staged a lunchtime walkout at the National Gallery earlier this year after cuts to assistant posts put art works at risk. ‘Not all cuts are as obvious as those to health or social services, but they still diminish our quality of life,’ says John Medhurst, Policy Officer at PCS. ‘It’s important to bring out less visible cuts to arts and cultural provision and show how they lessen opportunity and erode life chances, especially in communities and sectors that are already suffering disproportionately from unnecessary cuts.’