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Writers' Guild AGM will be on Friday 14 June
This is the time of year for Writers’ Guild members to think about motions to change the policies or rules of the union, or to put themselves forward as officers or members of the Executive Council.
There is a record number of EC vacancies to be filled this summer, both for national/regional seats and craft sector representatives, so we are hoping to see plenty of new blood coming forward. Please consider seriously whether you could contribute to the Guild in this way.
Details of the vacancies, application forms and instructions for proposing motions can be downloaded below. If you would prefer to have paper copies please contact the Guild office.
The closing date for the receipt of Officer and EC nominations is Thursday 9 May 2013 and the closing date for the receipt of AGM motions is Tuesday 14 May 2013.
The Annual General Meeting of the Writers’ Guild of Great Britain will take place in London on Friday 14 June 2013. The full details are in the Notice of Meeting and Preliminary Agenda, which can also be downloaded from our website. The Final Agenda, Annual Report and Accounts will be made available shortly before the AGM, in accordance with the rules of the Guild.
Gavin Grant explains how he took conflict resolution from the office to the screen, and won a Scottish BAFTA New Talent nomination for The State of Greenock
(Photo: Gavin Grant with actor Rowan King filming on location)
There is an acronym in corporate-lingo-jargon known as the BATNA. The letters stand for the ‘Best Alternative to a Negotiated Agreement’. The theory goes that whichever side in a negotiation has the better BATNA, is therefore in the stronger negotiating position, as they are less likely to settle for an unsatisfactory (albeit fully negotiated) agreement. When I first heard about the BATNA, I was a solicitor who wanted to be a screenwriter. My goal was to somehow negotiate my way to becoming a full-time, paid, screenwriter – even though I naturally assumed this was a totally unrealistic dream. In trying to maintain a level head about my career, I knew I had to work out the best alternative that would make me happy. What was my BATNA?
Back in 2009, I wrote an article for a Scottish legal magazine as part of a feature called ‘Films in Focus’, in which lawyers were asked to reveal their favourite film about the law. When I heard the magazine was running the feature, I remember being very keen to write something – anything – just to get the chance to talk about films and filmmaking. I wanted to avoid the courtroom drama and the predictable Grisham adaptation, so I plumped for the crime thriller Dirty Harry. And I got completely carried away. I effectively wrote a mini academic essay on the right-wing attitudes and ‘rule of law’ themes underpinning the film. Oops. I have always loved movies.
At that time, I was working as a solicitor with Shepherd and Wedderburn LLP. Outside of work, I had developed a growing interest in screenwriting and was attending evening classes at the University of Edinburgh. I became mildly addicted to books about the art and craft of screenwriting. I was learning about the film and TV industry, but, more importantly, I had started writing scripts.
Show your support for local theatres
A major campaign, My Theatre Matters!, has been launched by Equity, The Stage and the Theatrical Management Association. The campaign has grown out of concern about the threats to funding of many theatres across the UK, particularly from local government. Sheffield Theatre, for one, is facing a council cut of £100,000, only weeks after being names regional theatre of the year at the Stage 100 Awards.
The campaign aims to encourage theatres to mobilise their audiences to voice their support for their local venue and tell their own stories about why their theatre matters to them. Harnessed into a national campaign, these local voices can give real weight to the argument in support of public funding for theatre. Actors will be delivering curtain call speeches in theatres asking for support from audiences and the campaign will receive prominent and branded coverage throughout the year and will be spreading the word through social media and a dedicated website.
Latest signatories to the campaign include: Hugh Bonneville (Twenty Twelve, Downton Abbey); Kevin McKidd (Trainspotting), who with 51 Moray-based artists and arts professionals has signed an open letter to Moray Council, arguing for a rethink of the recently announced 100% cut to its arts budget; and David Haig (The Madness of George III).
David Edgar, president of the Writers' Guild, said of the campaign: 'Regional British theatre was one of the great success stories of the 2000s – particularly in its production of new plays. There’s now a real prospect of all that going to waste. Playwrights join directors, actors and other theatre-makers in defence of the network of local and regional companies which is at the heart of Britain’s great theatre achievement.'
A free event on 18 April in London
Facilitated by writer Jenifer Toksvig, and featuring a panel of representatives from the Writers’ Guild, the Musicians’ Union and the British Academy of Songwriters, Composers and Authors, this free event for writers and composers will address issues such as: acquiring rights, agents, commissions, contracts, copyright, development, optioning, percentages, productions, publishing, recordings, royalties, showcases and workshops. A representative of the Arts Council will answer writers’ questions about applying for Arts Council funding for the development of new work.
The Guild and the Musicans’ Union are running a survey in tandem with this event, the data from which will be used for the sole purpose of strengthening support for writers of musical theatre in the UK, in the continuous development of fair and reasonable guidelines for all aspects of the business. Complete the survey
6.30-9.45pm, 18 April, The Free Word Centre, 60 Farringdon Road, London EC1R 3GA
Doors open: 6.30pm
Panel presentation: 7pm
Drinks and networking: 8-9.45pm
On March 20th at Chapter in Cardiff there will be a Welsh language special event where Guild members will be able to discuss current and future drama output on S4C with the new drama commissioner, Gwawr Martha Lloyd.
She will meet members at 8.00 pm in the committee meeting room for a question and answer session.
By Alannah O’Sullivan
Robert Adams OBE was an extraordinary man. A paratrooper in WW2, he was also a first-rate runner who coached Ghana’s first athletics team and brought them to Britain after the war.
Working back in the UK, he soon became managing director of various firms, the most well known of which was A. H. Mackintosh Furniture in Kirkcaldy. He was awarded an OBE for his services to the industry.
His charitable works are numerous and, on retirement, he created a whole new profession for himself in writing, becoming chair of the Writers’ Guild in Scotland in the 1990s. One of the good friends he made through the Guild was Alan Plater.
Bob’s wit was legendary and he was sought after as an after-dinner speaker. His plays, The Roup and Scrappy, have toured Scotland. He recently had two books published and had just completed a new play based on his experiences in wartime. He was a truly heroic individual and will be sorely missed.
The funeral will be held on Tuesday, 12 March at Dunfermline Crematorium.