All News & Features

Corrie goes to Kenya

on Tuesday, 14 August 2012 13:09. Posted in TV

Sarah Kennedy from the charity S.A.F.E. on the impact of a project developed with Coronation Street writer Damon Rochefort 

(Photo: Coronation Street Actor Sue Cleaver performers with S.A.F.E. Actor Ali Mlatso on stage in Mombasa)

Writers and actors know that the power of drama can move people in ways that other forms of communication can’t: it makes people ­­­feel joyous or despondent; hopeful or despairing; it informs and entertains. But it is not often that the power of great acting and writing can be put to use in saving lives.

This Friday, 17 August, the first of two one-hour documentaries on ITV1 shows how that is possible. In Corrie Goes to Kenya, four Coronation Street actors work with S.A.F.E. in Kenya – a UK charity and Kenyan NGO that uses performing arts to educate, inspire and deliver social change. The programme follows their work using street theatre to challenge the stigma, misinformation and ignorance surrounding HIV/AIDS and the episodes will follow the team as they create and perform a series of soap-like plays in Coast Province.

Corrie Goes to Kenya was conceived by Coronation Street writer Damon Rochefort after he became involved with S.A.F.E. in 2010. After seeing a screening of S.A.F.E.’s feature film Ndoto Za Elibidi, he travelled to Kenya to use his talents as a writer to help the team create a new HIV play. The experience was a profound one and Damon realised that, often, comedy is the most powerful tool in a writer’s box - and that you can catch more flies with honey than with vinegar. 

Reflecting on his time in Mombasa, Damon said: 'Lecturing solemnly to people about some pretty grim issues is one thing, but if you can create rounded characters and have them come into conflict in funny, unexpected ways, audiences will laugh and remember the messages that you bury within the plots. Through comedy, it’s possible to debunk some of the crazier myths that surround HIV, shining a light on them and encouraging the audiences to realize how daft these myths are'. The success of the visit and the play he had helped to create made him realise he wanted to take the Coronation Street team back to Mombasa with him to continue this work.

Corrie Goes to Kenya will demonstrate the close bonds that were formed between the Kenyan and UK teams and the powerful theatrical results. But also, and perhaps more importantly, the programmes will demonstrate the ability of the UK arts sector, including writers and actors, to raise awareness about complex international development issues in imaginative and unexpected ways.

Corrie Goes to Kenya is a Shiver and ITV Studios production. The first episode will be aired at 9pm on ITV1 on Friday 17 August 2012. 

Read Damon Rochefort's original article about his work with S.A.F.E.

More about S.A.F.E.

The Guild at the 2012 Edinburgh Fringe

on Tuesday, 07 August 2012 07:55. Posted in Events

Visit the Guild stand at the Fringe Fair on 13 and 14 August

This year the Guild will be present at the Fringe Fair which takes place at Fringe Central at the University’s Appleton Tower, 11 Crichton Street Edinburgh EH8 9LE. Some of the confirmed exhibitors are Equity, Spotlight, Independent Theatre Council and the New York Conservatory for Dramatic Arts. It is based on the concept of a career fair giving opportunities to approach a range of funders, arts councils, training providers and agencies.

The event is free and non-ticketed. So take the opportunity to come along get info advice network and even better It would be most appreciated if anyone who is available to come along and help set up, and/or clear up or help man the table.

Those willing to help please contact Julie Ann Thomason (Scottish Rep for the Writers' Guild) on This email address is being protected from spambots. You need JavaScript enabled to view it.

The Fair is held On Monday 13th August from 10.00 am to 13.00 and Tuesday 14th August 16.00 to 19.00.

Guild welcomes boost for BAFTA TV awards

on Friday, 27 July 2012 16:11. Posted in TV

by GAIL RENARD, Chair of the WGGB Television Committee
Great news for writers! I’m pleased to say after discussions with the Guild, BAFTA has agreed to the introduction of a Television Comedy Writing Award to sit alongside their Drama one at their Craft Awards; creating two separate and distinct writing categories. No longer will Mrs Brown’s Boys have to go up against Sherlock; chalk against cheese. 
The Digital Creativity category will also be changed to include eligibility of on-line material relating to a television programme entered in the Awards. This will all be finalised in time for the next Awards. 
A misconception about the BAFTA Awards and the way they honour writers has also been cleared up. Guild members expressed fears that writers weren’t being represented at the main Awards, but were shunted to the Craft ones instead. Not true. At the main BAFTA TV Awards, there are eight awards for comedy and drama series, and when the series wins an award, the series’ writer wins one too. In addition to the above two new awards, that’s ten writers’ awards in all.  
As for attendance at ceremonies, another bugbear of writers, BAFTA allows four tickets for writers per nominated series. The problem is making sure that the writers are invited on the night and not the producer’s date. BAFTA has promised to strongly recommend to production companies that their writers be present.  If you feel writers aren’t being properly represented at any award ceremony (the RTS, etc) please tell the Guild. Only by making these practices known can we hope to change them.
Thanks to BAFTA for listening to Guild members. Good luck at the Awards.

Plays of Innocence and Experience

on Wednesday, 11 July 2012 10:48. Posted in Theatre

Major free development project for theatre writers launches Writers' Guild charitable foundation

The deadline for applications to this project has now passed

Update (25.9.12): 

We have contacted our chosen group of writers for this project so, if you've not been successful this time, we would like to thank you all for your submissions. With over 130 applications, the response was impressive indeed - proving to us what a huge demand there is for workshops like this and the potential of the Guild's partnership with RADA. Therefore we trust that you will not be discouraged as, undoubtedly, there will be other opportunities in the future. We will be announcing the names of the successful writers very soon on the Guild website, once their acceptance and arrangements have been consolidated. We will also be mailing everyone personally to thank you for your participation.


Emerging and established playwrights (whether Writers' Guild members or not) have a rare chance to come together to explore their work in an inspiring new development weekend, FREE to the chosen writers with expenses paid. Plays of Innocence and Experience is a major new project for the Guild, run in partnership with the Royal Academy of Dramatic Art. This scheme is open to all writers, at different stage of their careers, to work on an unperformed play with actors, directors and dramaturgs of the highest calibre.

Funded by the Writers Foundation (UK) - which has been set up by the Guild to expand their work in promoting writing through education, training, competitions, awards and in other ways - the first event of this partnership will be a weekend in October focused on developing plays of great promise through a process of readings, selective workshops and constructive criticism.

Each writer will work with a company of actors provided by RADA from their alumni and postgraduate students, in close collaboration with a professional director and/or dramaturg. There is also potential that this partnership would enable the most distinguished plays to emerge from the weekend to progress further, possibly to more refined development and public showcasing.

To apply, candidates should: 

  • Submit three hard copies plus an electronic copy of a draft of an unpublished, unperformed dramatic piece. This needs to be either the first act of a full-length play or a one-act play or a dramatic piece of equivalent performance length. The text should include a cast list, essential production notes and, if it is part of a longer script, a resume/ scenario of the whole piece.  
  • Include a letter of application, of no more than 700 words, setting out your reasons for wanting to develop this piece, its potential as a drama and your aspirations for it. And in what way this experience would be valuable in terms of your personal development as a writer. This letter should also include all your contact details plus a stamped, addressed envelope if you wish your scripts to be returned. 
  • Include a brief biography of your experience and career to date.

The weekend will take place at the RADA Studios (previously The Drill Hall) in London, from 6pm on Friday 19 October to 6pm on Sunday 21 October 2012. The workshops will be FREE to the chosen writers, who will also receive travel expenses and (if necessary) an overnight allowance. However, owing to the considerable task of selection, it will not be possible to offer a critique or respond to those candidates who have not been selected.

All applications and hard copies should be sent to the Writers' Guild of Great Britain, 40 Rosebery Avenue, London EC1R 4RX, FAO Richard Pinner. And please note the deadline for applications has been extended to Monday 10 September 2012. Electronic copies should be sent to This email address is being protected from spambots. You need JavaScript enabled to view it.

If you have any questions or need more information about this project then please do not hesitate in contacting Richard Pinner at This email address is being protected from spambots. You need JavaScript enabled to view it.

BBC Cuts: there is an alternative

on Tuesday, 10 July 2012 16:48. Posted in General

bbc-cutsA new publication from the Federation of Entertainment Unions (of which the Writers' Guild is a member) was launched at Westminster today, arguing against the repeated cuts made to BBC funding and calling for an alternative approach.

BBC Cuts: there is an alternative (pdf) sets out the economic and cultural value of the BBC and offers a way forward for the Corporation that would safeguard jobs and programming.

Non-fiction: a true story

on Thursday, 05 July 2012 17:48. Posted in Books and Poetry

Nicholas Whittaker on the opportunities for writers in a genre that is often undervalued

platform-soulsNon-fiction was often considered the poor relation of the novel. But non-fiction isn’t what it was. A generation of writers has lifted the genre from dry text book style to a juicy read. From Cod: The Biography by Mark Kurlansky tand The Wicked History Of Phosphorus by John Emsley to Peter Ackroyd’s biography of the river Thames, no subject is off-limits. Cod meant little to any of us, unless battered and sprinkled with vinegar, but one writer made the subject come alive, weaving a fascinating tapestry of history, politics and cold lonely seas, educating and entertaining readers – and making himself a reputation along the way.

I’ve written four well-received non-fiction books now, the first of which, Platform Souls, did remarkably well, attracting lots of publicity – even a spot on breakfast TV with Anne and Nick. My appearance caused hilarity in some quarters, but at least I outlasted TV-am. Platform Souls was a book just right for its time, a major reason it attracted the publicity it did. I signed books till my arms ached, did loads of radio interviews and made a short TV documentary for Australian Broadcasting. I never saw it myself, but it certainly shocked an old friend who was watching telly in Melbourne.