Lend your support to the new campaign from the Writers' Guild
'We really like your loaf of bread but we haven't got any money to pay for it.'
If that doesn't work in Sainsbury's why should it work with writers' ideas?
The past few years have seen a disturbing increase in the amount of work that writers are being asked and expected to do for free. While this has long been a problem with small, new or simply unscrupulous companies, it is fast becoming the industry standard even for large, well-resourced production companies dealing with established writers with significant credits to their name.
More and more, writers are being offered ‘shopping options’, asked to do ‘sweepstake pitching’, bake-offs’, free rewrites and ‘pre-writes’ – all for no money. It is becoming the norm to ask even established writers to write a trial script before they are even considered as a writer on a long running show – in some cases when they have previously written for that very same show.
The unpaid commitment now routinely expected of a writer constitutes weeks of work and time consuming, expensive research. If it is unacceptable to ask other professionals to work for free then it is unacceptable to expect writers to work for nothing. How are writers to feed their children and pay the mortgage?
The Writers’ Guild of Great Britain is launching a campaign ‘Free Is NOT An Option’ to address the problem of writers being expected to work for free. The campaign will highlight the scale of the problem and challenge production companies and broadcasters to address indefensible practices that are in no one’s best interests.
To give statistical weight to the campaign two online surveys have been published, ‘Free Is NOT An Option’ and ‘Free Trials’. The findings of the surveys will be confidential and anonymous and only used as statistical evidence in publicity campaigns and negotiations with major production companies and broadcasters. The surveys are open to all writers (whether Guild members or not) and can be accessed via the following links.
Free is NOT an Option https://www.surveymonkey.com/s/X8L8F2R
Free Trials https://www.surveymonkey.com/s/XL8H6KP
Closing date of survey 1st January 2014.
New survey published by the Federation of Screenwriters in Europe (FSE)
The Federation of Screenwriters in Europe has published a survey of European screenwriters' income in 2012.
The survey was undertaken to inform a series of workshops for screenwriters’ guilds in European countries entitled Freedom of Association and Collective Bargaining in the Digital Economy. The online survey, asking seven questions, was distributed by 21 European screenwriters’ guilds belonging to the FSE (including the Writers' Guild of Great Britain).
Seven hundred professional screenwriters for both TV and film in over 25 countries responded and provided information about their income in 2012. The anonymous survey provides factual information to illuminate the discussion about authors remuneration.
Download the survey (pdf)
British screenwriter Tim John on making the move to Hollywood
I’d read plenty of books about how to write Hollywood screenplays, but never found one that also described what living there would be like. So I decided to write one. Adventures In LaLa Land chronicles the seven years I spent riding the rollercoaster.
How does real life compare to reel life? Do the stars create more drama off-screen than on? Is the local social network really full of desperate housewives? How do writers find work?
My main reason for going to Hollywood was that I had always loved films, so wanted to be right at the heart of the industry. The tricky thing was knowing when to go. Given the colossal gamble the film business is, it's hardly the sort of move you want to risk when you have young children and a bank manager to support, as I did. Having said that, in some ways the choice was made for me because I was ‘let go’ from my job as a London copywriter when the agency was taken over by another group. Everyone who, like me, was part-time, was let go. What a strange phrase ‘let go’, it implies you'd been chomping at the bit, bursting to break free.
The annual London South Bank University, Writers’ Guild and IGDA talk - 4 December
Interactive writing is not screenwriting. From character creation to plotting, format to structure, from root to interactive branch the process of creating a story and delivering the script has evolved from the skills needed to deliver linear onscreen experiences.
In the annual London South Bank University, Writers’ Guild of Great Britain and IGDA talk, a group of experienced games writers Ed ‘Brink’ Stern’, Tom ‘FTL’ Jubert, James ‘Deus Ex’ Swallow and Andrew ‘Fable:Legends’ Walsh will examine a variety of techniques used in videogames writing and explore how they have used them in their own projects.
Date and Time: Wednesday, December 4 at 7 pm
Location: Keyworth Centre, London South Bank University
As always, we’ll head to the pub for a few Christmas drinks after the talk!
Sign up here: https://www.facebook.com/events/570224703050027/
New report says the creative industries are a hotspot for bullying
Creating Without Conflict report author Cathy John (right) with Anne Marie Quigg
The worlds of the media, arts and entertainments are often seen as glamorous, but a survey of 4,000 workers has revealed these industries are hotspots of bullying, with more than half of those questioned (56%) saying they had been bullied, harassed or discriminated against at work.
People who contributed to a survey, commissioned by the Federation of Entertainment Unions, ranged from household names, top screenwriters and performers to those at the beginning of their careers.
The results showed shocking levels of ill-treatment and inappropriate behaviour and a culture of silence, with only a third of those suffering bullying and harassment reporting the incidents.
A Writers' Guild West Midlands event - Wednesday, December 11, 7.30pm - 9.30pm
In recents months two important chairs have been filled in BBC Radio Drama. Sean O'Connor has taken the reins at the The Archers. Meanwhile Jessica Dromgoole is helming the landmark World War I drama, Home Front. Sean and Jessica will join us to talk about their shows, the craft of Radio Drama and opportunities within the industry.
Sean O'Connor was a producer on The Archers in the late 1990s, before moving on to TV shows such as EastEnders, Hollyoaks & Minder. He has also directed extensively in theatre, including his own adaptations of Vertigo, Marnie and Romeo & Juliet, as well as producing a film version of Terrence Rattigan's The Deep Blue Sea. His book Handsome Brute was published this year.
Jessica Dromgoole has directed in theatre and radio, winning various awards including the Prix Italia for Original Radio Drama, a BBC Audio Drama Award for Best Audio Drama, and a bronze Sony Radio Academy Award for Best Drama. Between 1988 and 1991 Jessica was Artistic Director of the Finsborough Theatre, since when she's been New Writing Co-ordinator for the BBC.
This event is FREE to members of the Writers' Guild and £5 for non-members. Attendees are invited to a festive drink in The Mailbox afterwards.