Theatre Centre invites applications to its two key prizes, the Brian Way Award for Best New Play and the Adrienne Benham Award.

Brian Way Award 2013

Prize: £6,000

Deadline: 31 May 2013 at 12 noon

To promote and celebrate the achievements of playwrights who write for young audiences, Theatre Centre runs the Brian Way Award for the best new play for children and young people.

The prize money is intended to give the winner the time and space to develop a new play without the pressure of deadlines or a commissioning brief.

This year’s award is for a new play which was professionally produced between 1 October 2011 and 31 January 2013. The winner of the award will be expected to undertake an ambassadorial role for Theatre Centre.

Applications may come from the writer, the writer’s representative or the producing company.

Adrienne Benham Award 2013

Prize: £2,000 seed commission and attachment

Deadline: 7 June 2013 at 12 noon

Theatre Centre offers the Adrienne Benham Award, a £2,000 seed commission, to support the work of a promising playwright interested in exploring the Theatre for Young Audiences (TYA) sector to develop brilliant new plays for young people, but who has little experience in this field.

This award is intended to steer gifted writers towards young audiences by giving them a seed commission and attachment to Theatre Centre to develop an original idea for young audiences.

Applications may come from the writer or the writer’s representative. <>pFull details on both awards: http://www.theatre-centre.co.uk/events/awards/

Richard Bevan on a significant new independent force in British film

With public funding of British movies now mainly in the hands of the BFI, Creative England and regional screen outlets it is encouraging to see a new major independent player on the scene: Cascade Pictures. They are aiming to think big with cinematic features in a broad range of genres. Through its Cascade Media Development arm it intends to make films with medium-to-high-budget British movies for a broad range of different markets.

‘Cascade Writers’ Couch’ recently hosted an event at the 6th BFI Future Film Festival in association with the Met Film School. The event focused on the development process for producers and after a brief presentation, eight producers pitched their projects to a panel that included Cascade’s Sam Cheetham, actress Joanne Froggatt (Emmy-award winner for Downton Abbey), Chris Simon (founder and producer at Embargo Films), and Anthony Alleyne (Writer/director and tutor at the Met Film School).

I spoke with the company’s founders Cora Palfrey, Daniel Campos Pavoncelli and Development Consultant of Cascade’s Writers' Couch initiative Sam Cheetham about the organisation’s ambitions.

How did the organisation come about and what are its aims?

Daniel: Mark Fisher who was the Chief Financier of the Icon UK group set up the Cascade group last year. We manage a fund of £40m which we can invest to financially package films. We also have a money chest around £150,000 through Cascade Development to exclusively develop material, whether that’s to option books, scripts or partner up with producers who already have a script. In that instance we can come on board and help develop new drafts and polish up the project and then hopefully everything we develop will be financed by Cascade Pictures.

The latest literary event from the Writers' Guild - 20 May
stella duffyJoin literary polymath Stella Duffy for a morning of readings and discussion followed by a delicious two-course meal in Black's private members club. 

After lunch there will be the chance for four Writers' Guild members to read their own work and receive feedback. 

Date: 20 May 

Time: 11am-2.30pm, 

Venue: Blacks private members club, 67 Dean Street, Soho, London W1D 4QH

Price: £25 (includes two-course lunch)

Please email Jan Woolf to book a place: janwoolf@hotmail.com
 
(Photo of Stella Duffy by Gino Sprio)
Leading writers back campaign against theatre funding cuts

Over 60 of the UK's best-known writers and other theatrical professionals – including Sir Tom Stoppard, Michael Frayn, Caryl Churchill, Mike Leigh, Sir Richard Eyre and Vicky Featherstone – have signed an open letter to Culture Minister Ed Vaizey, urging him to take seriously a recent report into the threat to new British playwriting posed by the Government's latest round of spending cuts. 

The independent report, In Battalions, researched and written by playwright and Writers' Guild member Fin Kennedy, with support from Oxford University's Helen Campbell Pickford, drew on data from surveys sent to theatres across the country. The results showed venues having to cancel productions, produce fewer new plays, commission fewer writers, and cancel a whole host of creative research and development – from attachment programmes, to open access workshops, to new writer development schemes, to unsolicited script reading. 

As well as cuts closing down entry points to the profession, the report also identified a creeping culture of risk-aversion around new work, as financial instability takes hold. 

Theatre professionals contributing to the report voiced serious concerns about the diminishing opportunities for today's young playwrights to develop their talents and stressed the importance of theatre as the training ground for the TV, radio and film industries. All stand to lose a generation of talent, with writers from less privileged backgrounds particularly badly hit. 

The report was sent to Ed Vaizey's office on 12 February 2013  but its authors have yet to receive a response. 

The open letter to Mr Vaizey expresses disappointment with the Minister's public remarks, in particular a recent speech in which he said that to suggest there is any sort of crisis in the arts is 'rubbish' and 'scaremongering'. 

The letter reads: 'We believe the findings of In Battalions are to be taken seriously. They are representative of a wider trend within our industry. If the next generation of playwrights are not properly supported, this could seriously affect output in a few years’ time, and new plays are vital to the future health of British theatre – not to mention a driver of growth in the economy.'

Fin Kennedy, the report's author said: 'Ed Vaizey and the DCMS have had my report now for two months. That's as long as my researcher and I took to research and write it. We took the project on in our own time in good faith, and in response to comments made to me by Mr Vaizey himself, that Arts Council cuts were having "no effect". He offered to look over any evidence to the contrary, and even to raise it with the Arts Council if I could show there was a problem. I believe we have showed there's a problem, but Mr Vaizey seems unwilling to accept the evidence we have sent him. In an email to one concerned young writer he said: "There is no evidence of any impact on new writing." Anyone who's read my report will see that that's demonstrably untrue. We're still really keen to engage with Mr Vaizey about our ideas for how to fix this problem - he's our Culture Minister after all - but we really do need him to take this issue seriously and to engage with us, as he promised he would.'

The open letter calls on Mr Vaizey to undertake his own research, ending: 'If [your] response is still that there is "no evidence” then we would ask that you provide evidence of your own, which backs up your position as thoroughly as the In Battalions authors have backed up theirs.' 

TV and radio scriptwriter Sue Teddern discusses her writing career from The Archers to Birds Of A Feather and Soloparaentpals.com
Sue-teddern
 
 

Also available as a podcast on iTunes, or via the Writers' Guild app for iPhone and iPad.

(Photo of Sue Teddern by Anne Hogben/WGGB)

Review of Public Lending Right Scheme results in few changes

After two years of dithering and a desultory consultation process, the Government has finally decided the fate of the Public Lending Right scheme – it will cease to be an independent agency and come under the wing of the British Library, but the office and staff in Stockton-on-Tees will carry on as before.

PLR – which pays authors 6p each time one of their books is borrowed from a public library – was an unfortunate victim of the incoming coalition government’s 'bonfire of the quangos' (which also cooked the goose of the UK Film Council, only to transfer most of its functions to the British Film Institute).

PLR Registrar Jim Parker welcomed the announcement: 'The Government realises staff here do a great job and we have had tremendous support from authors from all over the UK.' In fact the overwhelming outcome of the consultation was opposition to any change at all.

According to Culture Minister Ed Vaizey, authors should notice no change to PLR. He claimed that transferring management to the British Library will save £750,000 over 10 years.

Writers’ Guild general secretary Bernie Corbett commented: 'This whole affair has been an unnecessary charade, wasting the time and resources of authors’ organisations and the government to achieve a purely cosmetic change and a saving too small to be measurable – all for the sake of one headline over two years ago.

'In the meantime the government has done precisely nothing to extend the PLR scheme to ebooks and audiobooks, as legislated by the previous government just before the 2010 general election.'

For more information see www.plr.uk.com/allaboutplr/news/whatsNew.htm and www.gov.uk/government/news/ed-vaizey-announces-transfer-of-authors-public-lending-right-to-british-library

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15 May 2013

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Lost Arts campaign

lost-arts

The Writers’ Guild, along with other unions in the arts and culture sector, supports the Lost Arts campaign to monitor and restore Government spending cuts. Visit lost-arts.org to submit information, and follow on Twitter and Facebook.