13 December 2012
Posted in TV
Vic Reeves and Bob Mortimer were given the Writers' Guild prize at the British Comedy Awards in London last night. The writing and performing duo have created a number of memorable TV shows, including Vic Reeves Big Night Out, The Smell Of Reeves and Mortimer, Catterick, and Shooting Stars.
Other winners at the Comedy Awards were:
- Male TV comic - Lee Mack
- Female TV comic - Jo Brand
- TV comedy actor - Peter Capaldi
- TV comedy actress - Rebecca Front
- Comedy Entertainment Personality - Charlie Brooker
- Comedy Entertainment Programme - Harry Hill's TV BurpS
- itcom - Hunderby
- New comedy programme - Hunderby
- Comedy Breakthrough Artist - Morgana Robinson
11 December 2012
Posted in Books and Poetry
An interview with Jan Woolf
Jan Woolf, member of the Writers' Guild Books Committee, originator of the Guild's Off the Shelf at Blacks events and recipient of the first Harold Pinter writers’ residency at the Hackney Empire in 2010, considers herself a late starter. However, her earlier working life: teaching, activism, events production and a brief stint as a film classifier gave her plenty of material. She talks to author and screenwriter Brendan Foley about finding a life in writing and her recent collection Fugues On A Funny Bone.
Brendan Foley: Your writing has been described as ‘quirky’ and ‘eclectic’. If you had to use your own adjectives, what would they be?
Jan Woolf: I’d be happy with pithy or sharp. Also wabi-sabi – a Japanese term for art that is imperfect, impermanent and incomplete – a bit wonky, like this answer. But I don’t mean anything goes. I liked Lisa Goldman’s piece in the last issue of UK Writer about breaking the rules and pushing at the edge – but not for its own sake; that’s arrogant. There are no right answers and I think you find your voice when you become present to the writing, the point at which it keeps you company. That’s when you find a style that suits your personality and you become own authority yet listen intelligently to what others say. I think it’s about cultivating a kind of writer’s wisdom, knowing what writing form should carry which idea. My piece about two film censors fancying each other but having to watch porn together found its way into a play – Porn Crackers for the Hackney Empire. My stories about kids in a Pupil Referral Unit needed to be linked – so they were fugues.